Frank Blocker – playwright and performer
A renowned monologist, Frank entered the solo world reluctantly but has left quite an impression with Southern Gothic Novel, another 2-year run at Stage Left Studio with Stabilized Not Controlled, a commissioned Los Angeles premiere of HP Lovecraft’s Call of Cthulhu, and most recently the verbatim drama Good Jew at the Museum of Jewish Heritage in New York City. Full cast plays include Suite Atlanta, Macbeth: The Murder Mystery, Air Marshalls, Patient Number, The Wisconsinners, Eula Mae’s Beauty, Bait & Tackle and book to the musical Alice with composer William Wade. As an actor, his off-Broadway credits include three of his solo works, Mortimer in Brecht’s Edward II, the “last Don” in The Don Quixote Project, West Village/East Village Fragments (Obie winner), The Deep Throat Sex Scandal: The Play, and Awesome 80s Prom Night.
He is a member of Actors’ Equity Association, SAG/AFTRA and The Dramatists Guild.

Cheryl King – director
Multi-hyphenate theatrical entrepreneur and dedicated acting coach, Cheryl is the winner of Lower Manhattan Cultural Council grants in NYC, for her Gender Project in 2015, Cheryl was recognized in the NY Times as “the matriarch of Off-Off B’way Solo Theater” and named a “Person of the Year” by nytheatre.com. Cheryl served for ten years as artistic director/curator for Sola Voce – the Solo Show portion of the Estrogenius Festival, produced by Manhattan Theatre Source. In 2010, she was honored by Manhattan Theatre Source for Extraordinary Volunteer Service, 2000-2010 for her work as the curator.

Murray Scott Changar – dramaturge
Originally an actor and director trained by Lynne Cohen, he added playwriting to his shingle in his later years with full-length The Gates of Helen and short plays White Picket Fence and The Noble Sons of Popeye. He also penned the science-fiction novel The Slaves of Votarus. Murray was a gifted editor and proofreader with a second nature for play structure.

KenAllen Publicity – publicity and booking
Kenneth Allen began life in theatre as a low-level techie. Hence his respect for the craft. He entered the world of marketing and publicity just prior to the last millennia. He has served as publicist for several national theatre festivals, theatre companies and independent theatre artists, His company continues to work to promote live entertainment, focusing on solo performers.

Razmus Productions – Production
“We’ve done shows. We want to make more shows happen. That’s why we produce. Theatre, YouTube, shorts, whatever.”